We've moved

*shakes head* You know if you'd followed us on twitter like your Mum told you to we wouldn't be having to have this conversation. The thing is this blog is no more. It has expired. It is deceased. 

The fact is we've got a new home, one with neighbours in the form of our sister imprints Solaris Books and Ravenstone Press. So please adjust your bookmarks and come party with us at our new place:

www.rebellionpublishing.com

(TL;DR - we've got a new website ^^ and this blog will no longer be updated)

Gods & Monsters Cover Reveal

Coming Winter 2014

Gods & Monsters: Myth Breaker

As a child Louie had conversations with "invisible friends" and could see patterns in the world no one else could see.

In other times he would have been a prophet - someone to make people believe in the gods.

But he grew out of the visions and into a life in the underworld as a drug runner.

Now thirty-five and burnt out, he's had enough. With access to the mob's money he plans to go out in a big way. Only he can't. A broken down car, a missed flight; it's bad enough being hunted by the mob, but now the gods - kicked out of the Heavens - need someone to tell their stories, and they aren't letting go.

Caught between two warring factions of gods and the mob Louie hatches a plan to get out, if it doesn't get him killed first.

Gods & Monsters: Myth Breaker by Stephen Blackmoore 

Out December 2014

Pre-order for the UK and US today.

Available on the Rebellion Store from December 4th 2014.

Rebellion Publishing: DRM Free Since 2006

‘DRM Free since 2006!’ It falls some way short of being a sexy headline, but how do you compete with other publishers apparently news-worthy headlines about going DRM-free in 2014, when it’s been 8 years since Rebellion took that decision?

Rebellion Publishing may not be one of the instantly recognisable names in the UK book trade, but for fifteen years we've been the home of the British institution 2000 AD, and first published our perennially bestselling graphic novel collection, Judge Dredd: The Complete Case Files 01 back in 2005 (we publish volume 23 this summer). The following year we founded our first fiction imprint Abaddon Books. And in those pre-Kindle, pre-Twitter days, when digital rights management was something most publishers assumed was a music industry issue, Rebellion also started selling digital files for download with no DRM.

How was it that we took the step that most digitally-savvy publishers came to many years later? We had one big advantage, Rebellion is also a tech company, one of the leading computer games developers and publishers in the UK (our latest, Sniper Elite III, is out at the end of June). Our founders and owners Jason and Chris Kingsley understood how important ownership was for a digital consumer, how being able to buy something and keep it was a vital part of the trust relationship between publisher and reader, and gamer. You bought the digital copy? Well that’s yours to keep forever, and not just until you change device or operating system. It can be put  like this: we value the support of legitimate customers more than we hate the activity of people who steal from us.

In the years since 2006 we've acquired the SF imprint Solaris books; begun simultaneous publishing in the UK and North America; launched the children’s and YA literature imprint Ravenstone; started our standalone ebook shop rebellionstore.com to go alongside 2000adonline.com; and have seen our books feature on the best-seller lists time and time again.

So, as a leading publisher of comics and genre fiction in the UK it’s great to have had Tor and others join us in the DRM-free world. The others will be along soon, we're sure.

www.rebellionstore.com

Journal of the Plague Year: Adrian Tchaikovsky interview

Hello again friends, and welcome back to final part of our Journal of the Plague Year interview series. I'm sure you all know the drill by now, but just in case you ended up here by taking a wrong turn somewhere between google and facebook (we've all been there, don't worry - you're safe now) please do pull up a chair and catch up with part one and two in series first. We'll give you a moment, there's no rush.

All good? Fantastic, then let me pass you on to the more than capable hands of Abaddon editor David Moore and Adrian Tchaikovsky, author of the The Bloody Deluge.

DM: Eastern Europe is an area not well represented in English-language fiction. What does the region have to offer to English readers?

AT: Eastern Europe (or, from the Polish perspective, Central Europe) is a cornucopia of history that simply doesn’t filter much into English sensibilities. There are centuries of struggle and tragedy and heroic incident east of where the Iron Curtain once stood that people in the West simply don’t hear about, unless they’ve read Michener or Zamoyski, say. And some of it is frankly a gift for a writer of speculative fiction. The siege of Jasna Gora during the original Deluge – the Swedish invasion of Poland – is like something out of David Gemmell – the single monastery holding out against the invading army until the people rise up and drive them out – ok, that is a massively simplified summary, but still. And in Russia, of course, you’ve got Alexander Nevsky and his fight against the Teutonic Knights – the battle on the ice, all of that. For a writer, there is an enormous store of material there waiting to be tapped, that is going to be unfamiliar and fresh to most English-language readers. 

DM: Faith versus scepticism is a big theme in your story, represented at the extremes by Rev. Calumn and Dr. Weber and by more moderate voices among the inmates at Jasna Góra. Is this an important subject for you? Where do you stand?

AT: Is it an important subject for me? I guess I would be very happy to live in a world where faith wasn’t a constant source of global friction, but that’s not going to happen any time soon. In Deluge I’ve tried to provide a range of possibilities rather than casting the debate in black and white. Calumn is a TV evangelist, an opportunist fopr whom religion is a way of holding on to power and influence, both before and after the fall, and needless to say he’s not a very nice man. Abbot Leszek is more complex, and I can’t really say too much about him without spoilers, but he’s certainly not an unblemished soul by any means. Emil Weber, though... I mean, to a certain extent, Weber is a Dawkins-style figure. He is an atheist who sees the rational world being overtaken by a new wave of religious extremism in the wake of the plague. He has the good of humanity at heart, but he has no compromise in him, so he is constantly striking sparks from anyone who disagrees with him. And he’s right. Weber is absolutely right in his concerns about the way the future could go, and I think in his position I would have exactly the same fears – of a new dark age of ignorance – I just wouldn’t necessarily have the utter – and sometimes insufferable – courage of my convictions in the way that he does. 

DM: Katy Lewkowitz is an awesome hero, at a time when female characterisation is very much a hot topic in genre. What makes a good female hero? What do you look for?

AT: What makes a good female hero: depth, strengths, weaknesses, moments of testing, doubts, triumphs and failures. And being female. For a male hero, the same, but substitute “male” for that last. I write a lot of female protagonists, which at base I think is probably a reaction to fantasy fiction having a preponderance of male protagonists, because I’m awkward like that. I probably write about heroic insect-characters for the same reason. I have seen various pros and cons advanced for male or female protagonists, and mostly these get mired very quickly in gender stereotyping. I don’t think there’s any barrier to having female characters – heroes, villains or spear-carriers - especially in fantasy where the author controls so many more of the variables. Once you’ve uncoupled yourself from that standard image of the hero as automatically male (white, able, cis, etc.), it allows for much more diverse writing – and I don’t mean diverse in a ‘politically correct’ sort of a way, just diverse. As a writer, there’s never a downside to having more options.

DM: You’re best known as a fantasy author. What was it like, writing in the post-apocalypse genre?

AT: Challenging. I’m very used to playing in a world where I get to call all the shots. Suddenly I’m writing in the real world, even if it’s a real world that’s gone completely to hell. There are all sorts of pre-set constants I’ve got to work with. I had to scrabble around for material on Jasna Gora, for example, to get the physical layout as accurate as I could (and I’m sure that people will find stuff that’s wrong anyway, and then I’ll never hear the end of it) – and that’s harder than you’d think because most of what people write about it focuses on small details – particular relics and treasures – rather than giving you a wargames-ready battle map. I also spent far too long with Google Earth working out roadmaps and routes over the German-Polish border.

DM: And was this your first work in a shared world? What are the pitfalls?

AT: Well, I got a good brief and a chance to ready some of the earlier novels, and I think that gave me a sufficient mental toolkit to approach the series. Also, of course, one of the reasons I took the action to Poland was that nobody else had been there, so I had a freer hand than if I’d wanted to set things in the US or the UK. From the brief, I saw that there was an existing mention of right-wing extremism erupting in Germany, but no hard details, and so I took that and ran with it, hopefully in a direction other than the obvious. 

In Adrian Tchaikovsky's The Bloody Deluge, Katy Lewlowitz and her friend and old tutor Dr. Emil Weber, fleeing the depredations of the so-called New Teutonic Order, take refuge among the strangely anachronistic survivors at the monastery of Jasna Góra in Western Poland. A battle of faith ensues, that could decide the future of humankind...

The Bloody Deluge is the third novella in the coming post-apocalyptic omnibus collection Journal of the Plague Year out 3rd July 2014 (UK) and 12th August 2014 (US).


Pre-order: UK | US or purchase the eBook on The Rebellion Store from 3rd July 2014

You can keep up to date with all things apocalyptic over at the Abaddon twitter feed, do stop by before it's too late.*



*In the case of an apocalypse Abaddon Books, its authors and staff take no responsibility whatsoever for any injuries, fatalities or general embarrassment suffered from recreating any advice or content found in either our twitter feed or publications, all of which is a work of fiction with the exception of David Moore who is part fiction and part grammar-droid. - LG

Announcing the launch of our READ ANYTHING campaign

READ ANYTHING

Ever wanted to read something different but didn’t want the world to judge you by the cover of the book?

Spaceships, wizards, hooded swordsman – we love them all. But it’s not the cover, it’s the insides that matter. So, Solaris and Abaddon books are here to tell you that you can READ ANYTHING.

The revolution in eReaders gives you, the reader, the freedom to read whatever you want – fantasy, science-fiction, horror, urban fantasy, Steampunk, historical action, ANYTHING. They’re perfect to explore genre fiction you never knew even existed!

The READ ANYTHING campaign from Solaris and Abaddon Books aims to do away with judging a book, or rather its reader, by its cover. At last, content shall be king with whole new worlds of genre publishing opening up to readers.

Solaris and Abaddon Books are two of the freshest genre publishers in the UK today, producing books that transcend lazy genre clichés. Explore the Steampunk world of Pax Britannia on your iPad, the terrifying sink estate of The Concrete Grove on your Kindle, or soaring SF epics such as The Recollection and The Kings of Eternity.

Solaris and Abaddon don’t just release eBooks – we want to provide new and exciting material for readers. Both imprints will:
• publish every new book as an eBook on multiple platforms on the same day as it sees prints
• publish the first chapter of every new book online, for free, ahead of publication
• publish selected future titles exclusively as eBooks
• introduce new ways to share eBooks with your friends and family.

“The world of genre fiction is as rich and rewarding as anything produced by the publishers of ‘literature’,” says Jonathan Oliver, editor-in-chief of both Solaris and Abaddon Books. “At Solaris and Abaddon we are committed to providing great fiction in a format to suit the reader. Now with the READ ANYTHING campaign you can jump into the world of genre without worrying what your fellow commuters will think.”

Interview with Jonathan Oliver

The Read Horror blog have interviewed Abaddon Editor-in-Chief Jonathan Oliver for their Meet the Publisher feature:-

http://readhorror.wordpress.com/meet-the-publisher/abaddon/

What Abaddon releases are you most proud of and why?

With so many books published this is very hard to answer. I’m very chuffed that we published Gary McMahon’s first mass market novel with Tomes of The Dead: Hungry Hearts and I was delighted that Simon Bestwick got the recognition he deserved with Tomes of The Dead: Tide of Souls, but really I’m so proud of both imprints. I’m the luckiest man alive; I get paid to work with my favourite people...

Read the rest of the interview here.
-

SFXWeekender Tomorrow!

We're heading off to SFXWeekender tomorrow!

This time tomorrow I'll be driving a huge rental van somewhere along the M25, shouting at other drivers, The Bloodhound Gang blaring out of the stereo.

Then this time Friday, Jonathan Oliver, Paul Kane and I'll be nobbing with the stars of science-fiction and fantasy, getting on down and generally having a good time.

If you're coming, make sure and drop by the 2000AD/Abaddon/Solaris stand and say "hi." We'll be chuffed to chat.

I'll try and sling Twitter (@AbaddonBooks) and blog posts up periodically over the weekend.

Cheers,

David