Thursday, 20 May 2010

Cold Warriors Launch Party

Hi all,

The official Launch Party for Rebecca Levene's The Infernal Game: Cold Warriors took place amidst a modest fanfare last night at the rather snug Phoenix Artist Club on Charing Cross Road. A good time was had by all.

(One of the attendees obligingly pointed out to me that Googlemaps provides you with a street-level view of the venue. Check out the wonders of the twenty-first century, kids.)

Pornokitsch's fabulous Jared Shurin organised and presided over the event, and has put a brief thank you up for everyone here.

No, thank you, Jared. We had a blast.

We sold out of books, met with some very cool people - industry people and fans alike - and generally got our groove on. Bex seemed to enjoy herself, Bex's mum was very nice, and the atmosphere was very warm.

(And warm, actually. It was an underground venue and we were pretty tightly packed, so we got pretty hot.)

Anyway, I ran around with a camera and got some images to remember the occasion by. Here follows my pictorial tour of the evening:



The extraordinary Jared. He and his glamorous partner Anne Perry ran around the whole time, talking to everyone and generally making sure the whole thing went smoothly. He makes it to a lot of cons and things; if you ever get a chance to grab him for a drink and a chat, do so. He's very friendly.



Ms. Levene appeared to be camera-shy, or at least diligently remained on the far side of the room from the book stand, so capturing her on film was a challenge. This was shoot on high zoom through three conversations.



Rebecca is also afraid of public speaking. Her friend Magnus (I should probably know his full name, but regret that I don't) read a sample of the book. She then stood and gave a terrified forty second speech and fled the mic.



Our talented designer and artist Pye Parr, who did the beautiful cover you can see at the top of this post. Looking slightly bewildered that I would choose to photograph him.



At the beginning of the evening, with Ms. Levene's close friends mostly in evidence, they sat down for a meal before the guests arrived. Jenni stood in the way of my shot. Nuisance girl.



I'm explaining to this lady the themes and concepts underlying Transformers. It's not my fault; she asked about my shirt.

Actually, slightly disappointed. Clearly someone else has highjacked my camera and sneakily taken my photo. This doesn't bother me - I absolutely love having my photo taken - but whoever it is (Jenni denies all knowledge) failed to let me know so that I could pose pretentiously. Damn them.



"Jon! Jon! Jonathan! Look over here!" I cried, but in vain.
I guess that dude he was talking to was rilly, rilly interesting.



Scott Andrews was on antibiotics and not drinking - a tragic state of affairs in a room of media lushes - and so decided to give me an "I'm not impressed that you're taking my photo" pose. Nice try, Andrews, but I'm hip to your jive. Putting on a pose to show that you don't want to pose doesn't make sense. It just doesn't work like that.


So, anyway, a splending evening and an auspicious kick-off for an awesome book. Very slightly hungover (I'm more suffering from getting to bed at 2am than anything else) but pleased by the outcome.

Do buy it and read it; your life will be improved by it by a typical 17.2%. This has been proven by scientists; and scientists can't lie. It's genetic or something.

Cheers,

David

Wednesday, 19 May 2010

Cold Warriors Launch Final News

Hi all,

We've given away six tickets to the Cold Warriors launch in Soho this evening already, but it's not too late! Send an email to abaddon@rebellion.co.uk and tell us why you deserve it, and we'll give you a ticket to the launch party and a stylish and commemorative "Hermetic Division" tie-pin of your very own!

Special update: Simon Parr, the artist and designer of the cover (shown right), will be there. So you can give him your adoration and badger him to autograph the book for you as well as Rebecca Levene.

Awesome.

Cheers,

David

Tuesday, 18 May 2010

Children's Crusade and Cold Warriors out in the UK tomorrow!

Cold Warriors at Amazon.co.uk

(Go here to request tickets to the Cold Warriors launch party in London tomorrow night!)

Book Launch Tickets Giveaway!

Right, lightning quick, 'cos this is for tomorrow evening.

Rebecca Levene's awesome new series, The Infernal Game, launches with the first book, Cold Warriors, tomorrow evening at a secret location in London.

We've just heard from the organisers that, after inviting all the trendy media types and booksellers, he has a few tickets left over, and would love us to give them away!

So sling us an email at abaddon@rebellion.co.uk and tell us why you should get a ticket. If we like your answer, not only will we give you a ticket for tomorrow evening's launch party, we'll also throw in one of the shiny new "Hermetic Division" tie pins we've got here in the office.

Ooh, shiny.

Get mailing!

Monday, 17 May 2010

Weston Ochse interviews Pat Kelleher!




PAT KELLEHER
is the author of Abaddon's upcoming new series, 'No Man's World' - which starts with Black Hand Gang, due to be released on June 15th!



WESTON OCHSE
is the Bram Stoker Award-winning author of Abaddon's zombie horror novel, Empire of Salt. He lives in Arizona, and gave us a dead scorpion when we met him in Brighton. No, really! Okay, it was in the form of a glittery souvenir paperweight...


In march, we had Pat Kelleher interview Weston Ochse to celebrate the release of Empire of Salt! Well, with Pat's Black Hand Gang just around the corner, it's time for Weston to get his own back!

Weston: How did you meet the folks at Abaddon? I assume it was the same dark room selection committee involving shaving cream, steel wool, hula hoops and the Greatest Hits of Abba played at disorienting decibels that I went through.

Pat: You got a selection committee!? You lucky bugger. I was press ganged. I've known fellow Abaddon author Mike Wild for years now. We regularly sit in the pub, drinking pints of Everson's Old Fusilier, batting ideas around, world-building and the like. Little did I suspect I was being groomed (don't take drinks from writers, kids). After one particularly heavy session I woke in an unfamiliar basement chained to a radiator with only the lurid green light of an ancient word processor for company. If I make my daily allotted word count they feed me. If sales are good on Black Hand Gang they've promised me a window.

The truth? When Mike mentioned that the mariner character in the Kerberos world bible was still up for grabs he suggested I put in a pitch. I was hammering it out when I'd found out that Jon Oliver had taken it on, so having just missed my chance at writing for the Kerberos series and not having a zombie or post-apocalyptic idea in my head, when I heard that Abaddon had a one line brief rattling around about WW1 soldiers I seized on it with alacrity, jumping through all the usual hoops of a pitch, a world bible, a sample chapter and chapter breakdown before securing the commission. Throughout the whole process Jon was enthusiastic and encouraging and there was a flurry of emails with Simon Parr, their designer as we thrashed out ideas and sourced reference material for a really a cool cover.* But other than that I have still to meet any of them in the flesh. Strange, that.

Some of Simon's Parr's concept art for the cover image.

The idea of a WWI unit being transported to a hostile planet is intriguing. Can you describe the genesis of the novel?

It's a local war memorial; a bronze statue of a Tommy on a plinth that made an indelible impression on me when I first saw it in childhood, it's a great uncle who died at the Third Battle of Ypres, it's TV documentaries about the Great War containing haunting interviews with survivors.

Beyond that, the initial spark of the story was based in fact, well, I say fact, in that there had been a WW1 battalion that actually vanished in battle; the First 5th Norfolks who, contemporary myth had it, advanced into a cloud at Gallipoli and never came out. The myth persisted in the popular press for a few years but after the war, when the truth was eventually uncovered it was altogether more prosaic and tragic than the legend would have you believe. Nevertheless, the magical 'what if' seed had been planted.**

I felt, as a new Abaddon series, it should have its own distinct tone, something they hadn't done before, and took my initial cues from the books of the period, back when Science Fiction was still called 'Scientific Romance'. Black Hand Gang continues the tradition of those stories, but totally Abaddoned up. Fast paced action and imperialist adventure for the 21st century. If it helps, imagine Charley's War drawn by Kevin O'Neill. I put together a three page pitch and fired it off on the eleventh hour of the eleventh day of the eleventh month, 2008, the one hundredth anniversary of the Armistice, precisely. Talk about a niche marketing opportunity.

And if this was going to be a First World War battalion, then I really wanted to nail that reality, otherwise it might as well be anybody on an alien planet, so I pored over field manuals, I read journals, diaries, contemporary accounts. I began cherry-picking things from the period that looked interesting; Tesla was claiming to have received extraterrestrial radio signals, there was the rise of the Labour Movement, the General Strike, women's suffrage, Anarchist bombing and shootings and, as I read, the men in the 13th Battalion of the Pennine Fusiliers took on a life of their own. They signed up, made the oath and took the Abaddon shilling, the poor sods. But the War was only half of it.

I always knew the planet was going to be a badass place. Most stories of this period are presented by the author with a mysterious provenance, a journalistic first hand account, letters, an unpublished journal, and so it was with the 13th Pennine Fusiliers. Once I realised that this provenance included silent black and white film, I finally knew that this was the planet, the grainy footage of which would go on to inspire a thousand pulp science fiction magazine covers; untamed and inhospitable even for its indigenous inhabitants: a harsh environment of unforgiving habitats populated by dangerous plants and beasts. Then it just became a case of mashing the two together.


Why WWI soldiers? It seems to me that the weapons and technology wouldn't be the best for combating aliens. I haven't read your book yet, but why not more modern weapons, such as SABOT tank rounds or Hellfire Missiles?

Well, if I'm honest, the weapons were never a primary concern. I knew I wanted a Mark 1 tank, putting the date no earlier than September 1916. I knew I wanted the Somme which only left me a two month window. What ever was available up to and including October 31st 1916 would have to do. Those are the weapons with which I and the Pennines were stuck. And to be honest, I really enjoy having those sorts of limitations.

Sure, the weapons might appear crude by today's standards but in their day they were cutting edge, state-of-the-art and really brought the 'Splodey.

You can ratchet up a body count real quick with a Vickers water-cooled machine-gun (and make a cup of tea into the bargain - how British is that?).

And don't even get me started on gas warfare. Heck, manned flight was barely 10 years old and they'd already figured out how to use it to kill people.

German machine-gun tactics had just changed the face of modern warfare for ever. The British response, the Ironclad landship? It was ripped straight from an HG Wells story. This was Science Fiction becoming science fact right there, right then. This was real life steampunk. These weapons may not be the best for combating aliens, but I for one wouldn't want to be on the receiving end.

So while I can't offer you SABOT tank rounds, depleted uranium bullets or daisy cutters I can offer plum puddings, toffee apples, whizz-bangs, minnies and monsters, with a side order of bayonets 'n' British Pluck served up in a rollicking good yarn.

A Mark 1 WW1 tank - just like the one used by Pat's Pennine Fusiliers in Black Hand Gang


Clearly you enjoy good science fiction. What are a few of your favorite science fiction novels and was there any one in particular that lent more inspiration for Black Hand Gang than others?

I enjoy good fiction full stop. I'm old enough to have read the 'classics'; Asimov, Clarke, Herbert, Bradbury, Harrison. Mind you, back then anything with a Chris Foss cover would do. I read Phillip K Dick, Greg Bear, China Meiville, Dan Abnett but as for individual books? Larry Niven and Jerry Pournelle's, The Mote in God's Eye, Ian M Banks Culture novels, Neal Stephenson's Snow Crash, Paul Cornell's Summertime, Maria Doria Russell's The Sparrow, Carl Sagan's Contact. But Science Fiction is not something to which I restrict myself. I've probably read a lot more fantasy than Science Fiction recently and a whole lot more that isn't either. I buy books faster than I can read 'em, all kinds of stuff. I've added several feet of WW1 research to my shelves in the past year or so which I'm still ploughing through so I haven't had time for much else.

But for my main inspiration, you'd have to go back a hundred years or more.

Authors like HG Wells, Arthur Conan Doyle, Edgar Rice Burroughs, Edwin L Arnold, and Rudyard Kipling. If there were any that had a more direct inspiration on the Black Hand Gang I'd say Arthur Conan Doyle's Professor Challenger stories with a soupcon of John Carter and a seasoning of Gullivar Jones, if not in the specifics at least in the spirit. That's not to say that I'm ignoring a century of Science Fiction. It's just that, filtered through a 1916 character you might not immediately recognize some of it.

They certainly wouldn't. We can sit here today and talk about quantum entanglement, wormholes, M-theory and the like, but back then probably only a half a dozen people in the world understood what the hell Einstein was talking about.


What are your plans when Black Hand Gang hits the streets? Are we talking world tour? Over here in America, I've found that I have so many favorite authors who live in England and I get to meet too few of them.
Folks like Tim Lebbon and Simon Clark I get to see regularly when they travel to America. What about you? Is there going to be a Black Hand Intergalactic Megatour so that all your fans in American and points west can shake your hand and thank you for such great writing? What about getting Abaddon to send you on a whirlwind tour of the Hawaiian Islands? I'll carry your bags...

Well, by the time Black Hand Gang comes out I'll be back in the trenches, deep in the mud of the second novel, I might not have time to stick my head above the parapet, so initially at least I'm hoping to develop more of a web presence. I have some ideas I'm working up to that end. Keep checking here for news. And then, yeah, a breath of fresh air would be good. I'd love to get out to some conventions. I'll be popping up wherever I get the chance.

And an American tour would be great, but I suspect the only way that's going to happen in the near future is if I smuggle myself over in Jon's baggage.

In which case you won't be carrying my bags - I will be the bags. Just don't drop me, or worse, leave me unattended.


*Go here to read about Simon's Black Hand Gang cover design at his blog.
**Go here to read about the lost Sandringham battalion.

-

Podcast #4 rocking you headphones RIGHT NOW!

Hey guys,

So we're still going. We're kind of stretching the "monthly" concept here, since this is the April podcast and it's mid-May. Maybe we'll sneak a date change on you and call the next one the June podcast. I bet you won't even notice. We'll just go right ahead and do that shit.

Anyway, that's the rather oblique way of announcing the Fourth Abaddon & Solaris Books Pocast, winging it's way to your iTunes folder as we speak! Point your iTunes to this link, or search "Abaddon" (or "Solaris") in the "Search Store" box at the top-right corner of iTunes, to check it out. As ever, if you're a subscriber, iTunes should upload it automatically; it's probably already done so, cheeky little scamp that it is.

David, Jenni and Jon at Abaddon Books and Solaris Books drill directly in through your ears to your cerebrel cortex, monkey up your medulla oblongata and play hell with your limbic system in "what consistently remains the Coco Pops™ of the Podcast world."*

The Abaddon & Solaris Books Podcast #4: Shiny, Happy Gods is introduced by Editor-in-Chief Jon Oliver, who decided to have a rest and let his minions do all the interviewing today. Desk Editor David Moore gushes uncontrollably over interviews James Lovegrove, author of Solaris's Age of Ra and Age of Zeus, and talks about gods, inspiration, writing, research, and frogs and rabbits. Junior Editor Jenni Hill, meanwhile, catches up with Jetse de Vries and Gareth L. Powell - respectively the anthologist of and one of the contributors to the upcoming Shine anthology - at EasterCon, and talks about the anthology and the convention. A good time was had by all.

Special Note: We promise in the blog that James will remember the name of the book of essays he discusses and we'll blog it. And we always keeps our promises. James briefly discusses D'Aulaire's Book of Norse Myths and the introduction by Michael Chabon, but can't remember the name of Chabon's collection of essays, Maps & Legends: Reading and Writing Along the Borderlands. He urges you to look both books up.

Now, as promised, I have managed to rein this one in to the tune of ten minutes, so it's about an hour and five. We'll try and make the next one even shorter, but we just have loads of cool stuff to offer you.

As always, give us your tasty, tasy feedback. We love it. We made completely different mistakes this time, so we want to know what mistakes to make next time.

Cheers,

David



*I think this one was Jenni's mum, but don't quote me.

-------------------------------------------------------------------------------
  • Not on iTunes, and have sworn to end your life rather than download a single Apple application? Here to help! Just point your RSS client here to download the feed without putting a penny in Steve Jobs' pocket. Keep an eye on the blog for updates, in case we change the host or something crazy like that.
  • Bewildered by the term "RSS" and unsure what all this means? No problem, ignorant Luddite! Just follow the exact same link, click on the link to the mp3 of the episode you wish to hear, and you can listen right on your browser! Everyone's a winner!

Friday, 14 May 2010

The Devil's ISBN

Okay, check this out, dudes.

The ISBN, as I'm sure you're all aware, is a unique code that every single published book in the world gets. It's used to track and archive books, for the barcodes that the shopgirl uses to scan your purchases in, and for databases that log information about books.

Anyway, your ISBN is allocated to you randomly by various agencies. You get a book, and you fill it in and send the details back to them.

So we just entered Steven Savile's Malory's Knights of Albion: The Black Chalice into our ISBN list, and Ben pointed out the ISBN we just gave it:

978-1-907519-66-6

Not bad for a book about the Devil's Bible and the anti-grail.

Kick ass.

David

Thursday, 13 May 2010

Cold Warriors Launch!

Oh, sorry to say we missed this!

Hub Magazine, the FREE weekly SF, horror and fantasy magazine downloadable online in PDF or ePub format, had a great review of Rebecca Levene's Cold Warriors in issue 117.

Hub Magazine is run by Lee Harris from Angry Robot books, who recently announced their move away from HarperCollins, to Osprey Publishing.

Abaddon and Solaris Books wish you all the best with the move, guys! We look forward to the relaunch in September...



Speaking of Cold Warriors, we're having the launch party next week! I'm excited... If you're about in London on the evening of May the 19th, keep the date free and we'll see if we can find some tickets to give away...

Temple Library Reviews Interview

Hi all,

Harry Markov, over at Temple Library Reviews, has made a shrewd and, may I say, cultured choice for his most recent candidate.

That's right, me.

Here's the interview. I trust you'll find it germane, witty, and satisfyingly thorough.

Cheers,

David

We have a winner!


Jonathan Green has announced the lucky winner of his steampunk competition over here. Fans who donated to the author's sister-in-law's London Marathon run for the Devonshire Air Ambulance Trust were entered into a raffle for a cameo in the Pax Britannia book Jon is currently writing. What a prize! We're jealous....

Don't forget that Jon's newest release, the Pax Britannia novel Blood Royal, will be out in the shops in June!

-

Wednesday, 21 April 2010

Empire of Salt Victim's League


Weston Ochse has written to me to tell you guys that there's a new Facebook group that's been created to support those horrified by the zombie carnage in his Tomes of the Dead novel - it's called the Empire of Salt Victim's League.

Our thoughts are with those poor souls....


There's also two competions which are only open to UK fans, so get in there quick, Brits!

-

Tuesday, 13 April 2010

Pax Britannia Competition - For the Devonshire Air Ambulance Trust

Ever fancied seeing yourself immortalised in a steampunk novel? Well now you can!

Abaddon Books author Jonathan Green is running a competition in aid of the Devonshire Air Ambulance Trust. http://paxbritanniablog.blogspot.com/2010/04/win-walk-on-part-in-dark-side.html

How to Enter
All you have to do to qualify is make a small donation to charity. My sister-in-law is running in this year's London Marathon for the Devon Air Ambulance. If you sponsor her via her Just Giving page, along with the comment 'Jon Green sent me', then on the day of the marathon I will put all qualifying names into a hat and, after the race, get my sister-in-law to pick one. It really couldn't be easier.


The Prize
A walk on part in the next Ulysses Quicksilver Pax Britannia novel Dark Side, due to be published by Abaddon Books by the end of the year. It will be up to me how you appear in the book and whether you're a hero, a villain or a third class laundry room attendant, but your name will appear somewhere within the book.

So, if you'd like to enter this competition simply follow this link. To find out more about the work of the Devon Air Ambulance click here. I look forward to reviewing your entries in due course.

- Jonathan Green



The proposed cover, which is a reference to the 1902 French film Le Voyage dans la lune.

It'd be awesome if you guys pimped this in your own blogs/twitters and so on. It's for charity after all!

-

Monday, 12 April 2010

The Third Podcast is Up!

Hi all,

Sheesh. To think, only two months ago the first Podcast was going up. How young and naive we were. We thought we were changing the world. We thought we knew the lot. Now, two months on, we're putting up the third podcast, and we're older. Wiser. More seasoned. Makes you look back on old times and get all nostalgic.

Yes, you heard it right! The third Abaddon & Solaris Books Pocast is even now on your iTunes Store! Point your iTunes to this link, or search "Abaddon" (or "Solaris") in the "Search Store" box at the top-right corner of iTunes, to check it out. As usual, if you reeeeeeally luff us and have subscribed to the 'cast, iTunes should find and upload the new episode automatically.

Jenni, Jon and David, at Abaddon Books and Solaris Books thrill with the "most insanely groundbreaking instalment yet"* of their much-loved, widely-discussed podcast.

The Abaddon & Solaris Books Podcast #3: Staples of Horror! is introduced by desk editor David Moore, who they didn't let do any real interviewing this time as he scares authors. Editor-in-Chief Jon Oliver interviews Greg Staples, cover artist and comics legend, about his inspiration and his thoughts about different art media, and junior editor Jenni Hill runs around the World Horror Convention at Brighton interviewing our authors. Simon Bestwick, author of Tide of Souls, accosts Steven Savile, our new Knights of Albion author, and basically doesn't give him a chance to speak. How rude...

Now, this one's a doozy. It's, like, an hour and a quarter. We're going to try and rein that in next time, but basically, this is how much good stuff we had this month! Think of it as, like, two podcasts. Listen to Jon and Greg, put the podcast away, then come back later and listen to Jenni and various drunk authors. So you're getting two podcasts for the price of one. How cool are we?

Please listen to it, and once again, we'd love feedback. We got some great feedback last time, and have tried to make completely different mistakes this time.

Cheers,

David



*2010, noted talking head and vox pop specialist, David Moore's mum.

-------------------------------------------------------------------------------
  • Not on iTunes, and have sworn to end your life rather than download a single Apple application? Here to help! Just point your RSS client here to download the feed without putting a penny in Steve Jobs' pocket. Keep an eye on the blog for updates, in case we change the host or something crazy like that.
  • Bewildered by the term "RSS" and unsure what all this means? No problem, ignorant Luddite! Just follow the exact same link, click on the link to the mp3 of the episode you wish to hear, and you can listen right on your browser! Everyone's a winner!

Reviewspam!

Okay,

Another flurry of reviews:


Some good reviews there, which is always nice to see.

David

Thursday, 1 April 2010

Review

Nice review of Night's Haunting over here.

Sprange builds a story line that moves at a brisk pace and beckons readers into Kane’s world. ... a unique approach towards the idea of magic ... With several plot lines exposed, readers will be immersed in action and intrigue when they enter the world Kerberos. Sprange creates likable characters that are flawed in their own way, making them seem all the more human. The story is compelling and not over indulgent...

Tuesday, 30 March 2010

Interviews!

Here are the final two parts of Jonathan Oliver's interview with Pornokitsch. See the earlier parts here.


And here's an interview with another Abaddon author from the guys at Horror Reanimated.


I had the pleasure of meeting Joseph D'Lacey from the site and the dubious pleasure of interviewing Simon B myself over the weekend at Brighton World Horror. Let me just say, I admire Joe for being able to get a word in edgeways!

I've just been listening to said recordings I made at the convention. We're going to be using them in the next Podcast. I interviewed Simon Bestwick, Paul Kane, Steven Savile (who'll be writing the first Knights of Albion) story, Paul Finch (who'll be writing Stronghold for the Tomes of the Dead line) and several Solaris Books authors.

Most of these interviews took place in the hotel bar, which is, to say, in the natural habitat of this species we refer to as 'author'.

So, for laughs, I've sorted the interviews into two files entitled 'Drunk' and 'Sober.' And no, I'm not telling you which is which!

-

Saturday, 27 March 2010

Post the Third: Neil Gaiman is surprise World Horror Con guest!

Here's Neil Gaiman and Abaddon author Paul Kane - the two friends worked together when Paul edited the Clive Barker-inspired anthology Hellbound Hearts. (See below!)

Here's my copy, signed by Paul and Neil, with a little pinhead doodle by Neil! Neat! Makes you wonder why he pays Dave McKean to draw for him. ;-)

Friday, 26 March 2010

Post the Second: Live-blogging from the Brighton World Horror Con!

Steven Savile looking pleased with himself 'cause he'd just received his advance for the Knights of Albion book. Welcome to Abaddon, Steve!



This is just to show you guys a couple of photos and tell you about the interviews that'll be appearing on our next podcast! I spoke to Simon Bestwick about Tide of Souls yesterday, and Steven Savile, who'll be writing the first novel in our Knights of Albion series. But you'll have to listen to the podcast to find out why we'll be calling that podcast 'The Muffin Man.'


Simon Bestwick raising his eyebrows suggestively at the camera

Weston Ochse with Empire of Salt

Weston Ochse brought us a present from Arizona


See the full set of WHC photos over here on Flickr

I also interviewed Paul Kane, author of Arrowhead, for the podcast this morning! I listened to Ellen Datlow, Sarah Pinborough, Maura McHugh, Allyson Bird and Suzanne McLeod in the 'Femme Fatales' panel on women in horror, and then went out with Jon and Ellen Datlow to a very kitsch Chinese restaurant for a business lunch. Seriously, plastic swans and stuffed peacocks and blown-glass fish everywhere, to a soundtrack of obscure nineties pop music. It was out of this world.

Paul Kane is Kick Ass!

-

Monday, 22 March 2010

Pornokitsch interviews Jonathan Oliver

Those folks at the dodgy-sounding geek culture website, Pornokitsch, have interviewed our very own Editor-in-Chief, Jonathan Oliver.

Read the interview:
Part One
Part Two
Part Three


To see some of their previous interviews with Abaddon authors such as Paul Kane, Scott Andrews and Rebecca Levene, take a look over here.

Friday, 19 March 2010

New Series Announcement!

Okay, everyone, this is it: a world exclusive scoop.

Abaddon is proud to announce Malory's Knights of Albion, a new series of high-action Arthurian fantasy books, starting in 2011.

Here's the background:
In 2006, volunteers working in the archives at a church in Salisbury uncovered a fifteenth-century manuscript, previously unknown to scholarship. It was apparently a sequel to the Morte d'Arthur; the frontispiece titled it The furtherre boke of Kyng Arthur & of his noble knyghts of the round table, by Sir Thomas Malorie. The style and vocabulary proved consistent with the Morte, and analysis of marks on the edges of the pages suggest that the paper was from Caxton's workshop around the time the Morte was printed.

Specialists at King's College, London, have suggested that the stories may have originated as notes made while Malory was writing the Morte and discarded as superfluous, that Caxton persuaded Malory to develop into full tales after the success of the first book. The second volume was apparently never completed and at any rate never printed.
Late last year, Abaddon successfully negotiated exclusive access to the material, and is commissioning some of the UK's most exciting up and coming authors to modernise the language and make it accessible to our readers.

Malory's new stories are good British chivalric adventures at their best: brave, noble knights, questing for honour and glory; wise and beautiful women, shrewdly seeing into the hearts of those around them; monsters and evil men, defeated at last and thrown to their destruction.

The first tale, Thee sad comedie of Sir Alymere and thee Blacke Chalyce, is being novelised by Steven Savile as The Black Chalice even as we speak, and is due to hit the shelves at the beginning of next year.

Caveat Emptor: Some of the statements made above are, in fact, lies. :)

Thursday, 18 March 2010

Pat Kelleher interviews Weston Ochse!



WESTON OCHSE is the Bram Stoker Award-winning author of Abaddon's upcoming zombie horror novel, Empire of Salt. He lives in Arizona, but if you're a Brit and you fancy meeting him, get on down to the Brighton World Horror Con next week, where he'll be reading from and signing copies of his book!




PAT KELLEHER
is the author of Abaddon's upcoming new series, 'No Man's World' - which starts with Black Hand Gang, due to be released this spring!



PK: With all of time and space in which to set your Zombie novel, Empire of Salt, the Salton Sea is a very specific location. What was it about that place that appealed you as a setting for a story, let alone a Zombie-pocalypse (without giving too many spoilers)?

WO: Location. Location. Location. Like in advertizing and commerce, novels must have a sense of place. Some novels are made for the normal and everyday. We hide the events of the plot in the mundane of every day. We want people to think that what they have could change at any minute.

But then some novels cry out for exotic locales, especially if the location is intrinsic to the plot. Song of Kali by Dan Simmons would have been a snoozer if the plot took place in Upstate New York. The novel had to be set in India. Likewise, The Shining had to be set in a remote hotel in the Rockies. A Holiday Inn near the interstate just wouldn’t have worked.

Like a lot of authors, I prefer locations that are near and dear to our hearts. I want to lull readers into recognizing street signs, businesses, parks and cultural icons, before I introduce elements of fantasy into the locale. But then there are some locations that just scream to be used; the Salton Sea is one of them.

It’s a dead sea smack dab in the middle of California that almost no one has heard of. Just south of Palm Springs the Salton Sea used to be the vacation destination that everyone went to from regular Dick and Janes, to Richie Riches of Hollywood. Now it spawns red tides of dead fish. Birds fall from the sky. Where water meets earth, it bubbles green putrid residue. Yet people still live there. God bless them, there are people too tough to be scared away or too desperate to leave. Those kind of people aren’t the normal kinds of people regular folks are used to dealing with.
Folks from the Salton Sea are made from stern stuff. They’re a little crazy. They’re a lot desperate. And they are perfect grist for my authorial mill.

And to reward them for their perseverance and never-say-die attitudes, I’ve done what any right-minded author who doesn’t care who gets hurt would do. I infested the entire area with flesh-eating, eyeball-munching zombies. How cool is that?

Abandoned homes at the Salton Sea, wikipedia stock photos.

With eclectic collections of horror stories and a Brammy in the bank for your first novel (yes, I´m looking at you, Scarecrow Gods) what was it that drew you to the good ol´ classic Zombie?

Zombies! Taste like chicken! Seriously, I’ve never been one to get too excited about tropes. The traditional monsters of horror seem to be done to death. Probably of the hundred or so stories I’ve had published, less than ten of them deal with vampires, zombies, werewolves and the like.
I’ve always been more of a dark fantasist; I like to create textured landscapes populated by real characters who I then put in improbable situations. I’ve tended to create my own themes, my own monsters, and my own horror elements. So writing zombies was something new for me.

But zombies have something going for them that all the other tropes do not; they are pop culture icons. I inhale pop culture and exhale satisfaction. I love the iconography of registered trademarks and consumer logos. I crave music and television and magazines. I’d sleep on a bed of TV channel guides if it would mean that I could by osmosis relive the first 50 episodes of Gilligan’s Island, Bewitched or I Dream of Jeanie.
Because of their post modern representation in the original Dawn of the Dead, zombies have become as much a piece of pop culture as the Golden Arches, delivery pizzas and over-priced coffee from teenage American baristas.

If I was ever going to do a trope it was always going to be a zombie.
Zombies are cool. Zombies are badass. Even better, zombies are so badass cool that they don’t even know they’re monsters.

Cover artwork for Weston Ochses' 'Empire of Salt', painted by Greg Staples. Click for horrible high-def version!


As an American, how did Abaddon, a publisher that´s as British as Fish `n´ Chips and 2000 AD, first appear on your radar? What attracted you to them as a potential publisher? Or more to the point, what exactly do they have on you?

What’s 2000 AD? Is that a motor oil? HA! Just kidding. Put down the knife. Seriously, the folks at Abaddon caught me pilfering nursery rhymes from a Grimms' Fairy Tales book and selling it to the Star Trek franchise as Klingon Fables. They also caught me coming out of a massage parlor in West Hollywood, where I was only asking for directions, I swear. The kicker was when I was filmed beating up a herd of Girl Scouts and stealing their cookies. With all the evidence against me, it was too easy for Abaddon to force me to pay them money and send them a kick-ass free zombie novel.

Seriously this time; I was first drawn to Abaddon when 'The Afterblight Chronicles' first began. I thought the idea was incredible. I still do and would love to work on the franchise. I communicated with Jonathan Oliver, editor-in-chief of Abaddon, during this time. We agreed that we’d like to work together sometime in the future, but couldn’t decide in what capacity. Then came 2008 and the Book Expo of America which took place in L.A. Abaddon had a space in the show and I took the time to drop by and say hello. Pretty soon, Abaddon reopened their submissions and were looking for some more zombie novels. I’d been thinking about doing one regarding the Salton Sea anyway, so this became the perfect opportunity to pitch the project. Jon loved it and here we are today, with me sitting here being interviewed about a zombie novel coming out from Abaddon with a super-kick-ass cover.

Apart from your award winning novel, you´ve also had great success with your `Backwoods Horror´ short stories. You obviously enjoy working in both forms. Do you have a preference?

For me the story decides the form. I was lucky starting out. I began writing short stories. Me and a fellow named David Whitman became household names in a very short time with our collection Scary Rednecks and Other Inbred Horrors. The collection garnered insane attention and outsold everything the then publisher, Darktales, had to offer. The stories in the collection inspired independent film projects and hearkened in a period of backwoods horror fiction in America that is only now beginning to slow down.

I still meet folks at conventions and book signings who bring copies of that old book, or the hard cover reprint from Delirium. Instead of what I’m working on now, they want to talk about those old stories and how much they meant to them. I still remember a reading I did at Horrorfind I in Baltimore. There must have been seventy five people in the room. I’d advertised that there would be cheese balls and beer and I didn’t lie. I went to the discount store and bought ten big bags of cheese balls. Then I went and bought 8 cases of the local brew, National Bohemian, or Natty Bo.
I passed out the beer and encouraged everyone to throw cheese balls during the reading. It was sheer and utter chaos with me reading at the top of my lungs. People still come and talk to me about that. What a blast that was; even more fun than the bass boat radio hour reading we had the following year. Ah, the good old days.

What is it about Horror as a genre that attracts you as a writer?

Funny thing about horror is that I never knew I was a horror author. In fact, the question is still up in the air. When I first started writing I was just an author. I wrote what I wanted. It wasn’t until I began to sell things that I was called a horror author. But then I sold my first novel, and although it won a Bram Stoker Award, I have it on record from several other publishers that it’s a dark fantasy novel. I’ve since pitched a few novels to agents and publishers only to have them come back and tell me that what I was pitching wasn’t horror, and it wasn’t science fiction, and it wasn’t fantasy, but instead, some kind of amalgam of all three. At that point I usually naively bat my eyelashes and ask, “So? Is there a problem with that?” As it turns out those sorts of novels are immensely popular, but because publishers have a hard time marketing them, they are few and far between.

So do I write horror? I think so. Do I write science fiction? Yes. What about fantasy? That too. I have two trilogies in the works right now. One is 'The Cycle of the Aegis' and is a combination of all three. Those books are immensely popular. In fact, I’m writing the final book now. The other trilogy is 'The Vampire Outlaw' trilogy, which is horror, adventure and space opera. This is also immensely popular. It’s what I want to write.
It’s what people want to read.

But you asked me what it was about horror that I like, didn’t you. I’ve always felt that horror is an emotion and it’s the manipulation of that emotion that makes horror good horror. Horror is about the psychology of fear, which gets to the very heart of characterization. There’s nothing better than to give a character something nice, then make them terrified they’ll lose it, whether it’s a Barbie Doll or their very lives...


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Stay tuned for the follow up to this interview, where we turn the tables and Weston interviews Pat about his forthcoming series!

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Thursday, 11 March 2010

'Tide of Souls' review

Matthew Fryer reviews Simon bestwick's Tide of Souls here.

"A recent addition to Abaddon’s 'Tomes of the Dead' line, I expected this to be a zombie horror-thriller. And while indeed it is, there’s far more to Simon’s novel than necrotic innards and masticated brains..."


P.S. Simon's a bestseller, too! Stats from the Dark Delicacies Horror Bestseller List in California. Outselling even zombie fiction author Max Brooks (World War Z), ey?

Wednesday, 10 March 2010

Lethal Behaviour

Hey all,

So The Bookseller's slightly peculiar Diagram Prize "for the oddest book title of the year" has announced the shortlist for 2009. Go check it out. Now.

I mean it. When I'm speaking rhetorically, my voice rises at the end of the sentence.

Right. So, did you check out no. 4?

Governing Lethal Behavior in Autonomous Robots
, Ronald C Arkin (CRC Press)

That's not odd, surely? That's sensible! In fact, to hell with "governing"! We should be stamping out lethal behaviour. We should, in fact, be stamping out autonomous robots. Or not making them autonomous in the first place. Or not, ideally, building robots.

It's coming, brothers and sisters.

Pornokitsch interviews Paul Kane

Those wacky folks at Pornokitsch have been up to their old tricks again - after their interviews with Abaddon authors Rebecca Levene and Scott Andrews, they've now interviewed Paul Kane, the author of Arrowhead and Broken Arrow, in the Afterblight series.

Paul chats about writing for Abaddon, and how he and Scott Andrews have planned the overlap of characters and event in their respective Afterblight series, both previously and in upcoming novels...

Part one of the interview is here, part two is here, and part three should be coming out in the next few days or so.



P.S. I notice Pornokitsch are also running a Sexy Steampunk Competition - comment there and nominate your favourite sexy steampunk characters to be entered into a prizedraw. I notice that nobody has nominated our very own Mr. Ulysses Quicksilver, yet! Nor any one of his many lovely female companions from the Pax Brittania series. It's an outrage, say I, an outrage!

Monday, 8 March 2010

Thursday, 4 March 2010

10 rules for writing according to Jon

Okay, so apparently the Guardian has been running a 10 rules for writing thingy, and David and Jenni thought it would be interesting/amusing/shocking/inspiring for me to give my take on these, seeing as I'm an editor and I've written one book and that. Anyway, this is going to be messy so bear with me:

JON'S RULES FOR WRITING AND GETTING PUBLISHED (AND MAYBE STAYING PUBLISHED).

1. If a publisher says they are closed to submissions don't e-mail them an entire novel and then spend every other day asking them whether they've read it yet and reminding them how amazing this novel is. They will not thank you, your submission won't be read and, very likely, neither will your future ones. Also do some research on your chosen publisher, don't just use a scattergun submission approach. It's unlikely that Graveyard Books (I made that name up, apologies if it's real) is going to want to see your book on Breeding Newfoundland Dogs.

2. Enjoy what you're writing. If you're writing SF/Horror/Fantasy you should at least be a fan of these genres and well read in all. After all, you're going to need to know what has gone before and what works or doesn't work. In fact, read as widely as possible anyway. If you just confine your knowledge of literature to the genre stuff then not only are you missing out on some gems, but your work is likely going to tread too familiar territory. Mix it up a bit.

3. Don't think that just because an idea would make a great film/TV series that it's going to translate well into prose. Sometimes fiction can do things that film can't and vice-versa. Also, don't write a book with a view to it being one day a great movie. That's a hostage to fortune and, ultimately, you'll probably be disappointed when it happens anyway and the studio rapes your precious work.

4. Don't just repeat what you've read and imagine that it will work. I've you're a big fan of David Gemmell I'd be unlikely to publish your novel Driss The Legend. "You'll love this, it's just like Gemmell," you'll say. Well, in that case I'll read Gemmell then won't I? Influences are fine, but try to make your work your own.

5. And this is where I start running out of ideas... erm. Nice weather.

6. Oh yes, it's usually useful once you've finished your mighty tome to get someone else to read it, in fact several people will be ideal. After all, after months/years of working on the damn thing you probably no longer have any critical distance from it and can't see the wood for the trees. A fresh view on it will pick up on things you may not have noticed and show you the way to further revisions and improvements.

7. On that note, when you submit a final manuscript to your publisher, send them something you would be happy to go to print the very next day. In other words, send out the most final and polished version you can.

8. If you're writing a fantasy novel, avoid overly complex names. Okay, so we don't particularly want to know a story about Bob The Slayer, or Derek The Destroyer (or maybe you do?) but neither do I want to get bogged down in the trials of Yglikinikas The Third, Son of Ylinkizasmus The Second, Heir of all Allundrianianuyhusus.

9. Just because one publisher doesn't like what you do, don't give up and don't chuck your work away. After all, none of us editors are perfect and sometimes what doesn't work for us, may well work fine for somebody else. Hell, it may even become a huge seller. If someone had pitched Pride and Prejudice and Zombies to me for example, after I'd stopped laughing at them, I'm sure I'd have politely said no.

10. Tell the best story you can. Doesn't matter what kind of writing you're doing, if you're working on your finely created opus, or doing a series of action/adventure books based on a cartoon/film/cereal then just do the best job you can. Professionalism and commitment will get you a long way. If you do a project half-arsedly it will certainly show and you won't be invited back to the party.

Anyway, that was profound wasn't it? I may well be wrong about all of the above and it may turn out I'm a massive hypocrite or something, but them's my thought at 4 in the afternoon on a Thursday.

Happy writing folks!


Jonathan Oliver
(Editor/Overlord/International Playboy - delete as applicable)

Wednesday, 3 March 2010

Podcast Part #2!

Hi all,

The second Abaddon & Solaris Books Pocast is now up! Point your iTunes to this link, or search "Abaddon" (or "Solaris") in the "Search Store" box at the top-right corner of iTunes, to check it out. Or if you're a good boy/girl and subscribed to our feed last time, just run iTunes and it should find and upload the new episode automatically.

The editors and staff at Abaddon Books and Solaris Books continue to deliver the "very best, most hard-hitting and innovative"* of podcasting entertainment in this second, thrilling instalment.

The Abaddon & Solaris Books Podcast #2: Juliet McKenna and the SFX Weekender (okay, it's a functional title; it does what it says on the tin) is introduced by junior editor Jenni Hill, who's trying to overcome her fear of the microphone, so everybody be really nice about her. Jon Oliver interviews Juliet McKenna, author of Solaris's The Chronicles of the Lescari Revolution books, sharing thoughts on coming up with fantasy names, writing and the future of fantasy fiction, and Juliet gives us a reading from the second Lescari book, Blood in the Water. Finally, Jon and David talk about the SFX Weekender, and we hear David's interviews with daleks, authors, and a couple of special guests.

Seriously, you can't get this stuff anywhere else. Barack Obama's considering starting a war with the UK, just so he can justify sending the CIA in to kidnap us. That's how cool we are.

Please listen to it, and once again, we'd love feedback. We got some great feedback last time, and have tried to make completely different mistakes this time.

Cheers,

David


*my mum again.

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  • Bewildered by the term "RSS" and unsure what all this means? No problem, ignorant Luddite! Just follow the exact same link, click on the link to the mp3 of the episode you wish to hear, and you can listen right on your browser! Everyone's a winner!

Monday, 1 March 2010

Podcast Coming Up!

Hi all,

The Abaddon & Solaris Books Podcast second instalment, "Juliet McKenna and the SFX Weekender: From Lescar to Camber Sands," is underoing final editing now, and should be up tomorrow afternoon.

Featured is an interview with Solaris Books author Juliet McKenna and a reading from her book, Blood in the Water, and a convention report from Editor-in-Chief Jon Oliver and the roguishly charming David Moore on their recent jaunt to the SFX Weekender at Pontins Camber Sands, including interviews with Abaddon's own Al Ewing and Jonathan Green, with a dalek, and some pretty exciting surprises.

Keep an eye out on the blog. Should be a good one.

David